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Polka dots and lilies, 2
Polka dots and lilies, 2
Polka dots and lilies, 2
Polka dots and lilies, 2

Polka dots and lilies, 2

£650.00

"While I've sometimes been known to ‘tweak’ the colours you might expect to find in the Scottish landscape, there isn’t really the same necessity to take liberties when painting Floral arrangements.

The problem isn’t usually in beefing up the colour, but more in trying to subdue some of the high intensity contrasts you can find between the high keys of the blooms and the bass notes of the foliage. Getting a range of cool greens and purples to set off the reds, pinks, oranges and yellows is never straightforward but my wife likes to keep the house in ‘full bloom’ so I’m never too far from fresh inspiration.
"

The Home Studio Collection

“…When trying out new ideas or exploring new themes, it makes sense to work on a small scale. However, I know as far as my own work is concerned, I put as much thought and effort into my small paintings as any of the bigger pieces. In fact sometimes the smaller works have a spontaneity or 'va va voom' which can be hard to replicate in larger work.

The economics of Gallery representation can make it difficult take these smaller pieces any further so I’m delighted to have found an exclusive outlet for the smaller paintings which are such a vital part of my creative output. The arrangement with BoagArt Publishing showcases work which might never have had a public viewing…”

About the Artist

Francis was born in Dundee and studied at Duncan of Jordanstone College of Art in the late sixties where his tutors included Alberto Morrocco and David McClure, whose influences can be readily seen in his love of vibrant colour and the sensuous application of paint.

Upon leaving university, Francis became a secondary school Art teacher. Francis continued to paint throughout a successful teaching career before he returned to higher education to undertake a MA at Grays School of Art in 2000. Developments in his work during this introspective period met with great enthusiasm in the commercial gallery market and demand for his work increased. This enabled him to leave education and become a full-time, professional artist in 2001.

Since then, Francis has worked steadily to establish himself as one of the leading figures in a new generation of “Scottish Colourists”, with his work exhibited widely throughout the UK and as far afield as Europe, Russia and the US

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